I also like to organize my bookmarks into folders and that’s not currently an option in Opera Neon. If you heavily rely on your bookmarks (and especially your bookmarks bar), that doesn’t quite feel right and quickly leads to far more open tabs than necessary. Now, you have to open a new tab (even if you don’t want to) and then open your bookmark in that new tab. I’d rather have an easier way to get to my bookmarks than to open a new tab, for example. I’m not sure I like Neon’s new tab page, though, which is also your bookmarks page. Just like the standard Opera desktop browser, Neon uses the Blink engine, so it feels fast, too. I’m also a big fan of Opera’s existing pop-out video feature which also makes an appearance in Neon. I don’t mind the tabs on the side, for example, even though I never got used to the side-tab plugins for Chrome and Firefox (though I acknowledge that they do have their ardent fans). I can’t quite see myself switching to it as my main browser at this point (especially because it doesn’t support any plugins yet), but it does feature its fair share of interesting concepts. I spent the last day or so playing with Opera Neon. This same sidebar also features a screenshotting tool and access to your recent downloads.įor those of you with very large and wide screens, Opera Neon also allows you to place two browser tabs side-by-side within the same window (similar to the split-screen view on iOS or Android). There is also a sidebar on the left that lets you control audio and video playback (which you can also pop out so you can watch it even while you’re surfing in other tabs). It automatically grabs your desktop’s background image and uses that as the background image of your new tabs page. ![]() Instead of having tabs at the top, you get round bubbles on the right. There is no task bar or bookmarks bar (though the team kept the concept of the URL bar alive). The moment you open Neon, you’ll notice that this is not your average browser. Opera, which was sold to a consortium of Chinese companies last year, is now doing its part to mix things up with the launch of Opera Neon, an experimental desktop browser for Windows and Mac that tries to reimagine what a modern browser should look like. We’ve seen a few interesting experiments, mostly from smaller players like Yandex, Brave and Vivaldi, but the largest players have pretty much stuck to their script. After a flurry of innovation, especially around the time Google launched Chrome, things slowed down over the last few years. In her debut as the new host of It's Been a Minute, Brittany Luse talks to Abrams herself - about the power and pitfalls of being an icon how she deals with criticism from inside her own party and what it will take to shift the politics of the Deep South.īrittany also brings on Christina Greer, political scientist at Fordham University, to discuss Abrams' strategy and how the former minority leader mirrors other Black women politicians who made history.Browsers have gotten boring. Will it be enough to make her the country's first Black woman governor? ![]() Now she's back, armed with a national reputation, the experience of running for statewide office and a fresh determination to defend her state from voter suppression. After losing the Georgia governor's race to Brian Kemp back in 2018, Abrams - the first Black woman to be a major party's gubernatorial candidate - spent four years coalition building across the state. You can follow us on Twitter and email us at Abrams wants to make history again. The comedy duo reveal why writing jokes around specific references can appeal to all kinds of audiences, and how parody can be a form of love. Then, Brittany talks about a different kind of homage with Bashir Salahuddin and Diallo Riddle – the brains behind the sitcom South Side and the variety show send-up Sherman's Showcase. ![]() They dig into the ingenuity of Black filmmakers through the 1960s and '70s, the overlooked contributions of Blaxploitation films and the one Black classic that led to the demise of an era. Host Brittany Luse sits down with Elvis Mitchell, the longtime film critic who directed the documentary. Is This Black Enough For You? pays homage to the decades of creativity that made the celebrated Marvel movie possible – and deeply influenced cinema as we know it. But on the same day, another film dropped that may be just as powerful in its message about Black moviemaking. It's a big week in Black cinema as Black Panther: Wakanda Forever hit theaters Friday.
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